FESTIVAL HISTORY

THE BRISTOL EISTEDDFOD

  

An Eisteddfod is a festival involving several artistic competitions and Bristol is recorded as having had such an event in 1871/2 organised by the Bristol Welsh Literary and Musical Society. William Fowler felt there should be an Eisteddfod in Bristol which was open to allcomers without distinction of nationality.

In 1903, he founded the Bristol Eisteddfod and the first Eisteddfod was held at the Victoria Rooms that year. There were over 300 competitors from London, Bath, Cardiff, Bournemouth and Newport. By 1914, the entries had reached over 2000. Folk Dancing, Morris Dancing, Morris Jig, Country and Sword Dancing was introduced with Cecil Sharpe as Adjudicator. A set vocal piece called Snowdrops was written especially for the Eisteddfod by Dr Alfred J Silver.

  

In 1915, the Victoria Rooms was taken over by the military and the Eisteddfod moved across the road to the Royal West of England Fine Arts Academy. By 1928, there were over 6000 performers which included 50 choirs and 900 folk dancers. The Royal West of England Academy, Bristol Music Club, Central Hall in Old Market, the Museum Lecture Theatre and Bristol Grammar School were also used as venues from the 1920s as numbers soared with competitors coming from England, Wales and even Scotland. For many years, two concerts were held in the Victoria Rooms at the end of the Eisteddfod and they were very popular. These were often attended by The Lord Mayor and Sheriff.

Over the years, the Eisteddfod has attracted prominent adjudicators including Sir Adrian Boult, Sir (Dr) A Herbert Brewer, Dame Clara Butt, Thomas F Dunhill, Dr Herbert Howells, Hubert Hunt, John Ireland, Hugh Roberton, Cecil Sharp, Sir Arthur Somervell and Gustav Holst.

The Bristol City Council subsequently took on the responsibility for running the Bristol Eisteddfod, but ceased funding it in the late 1990s. The dance section left the umbrella of the Eisteddfod and the Bristol Eisteddfod then changed its name to the Bristol Festival of Music, Speech and Drama – but it is still fondly referred to as The Bristol Eisteddfod.

WILLIAM ERNEST FOWLER (1872-1954)

  

The Founder of the Bristol Eisteddfod, William Ernest Fowler, was born in St. Paul’s, Bristol, in 1872. At the age of 14, he became the organist at The Pro Cathedral and after ten years, moved to All Saints’ City, where he was organist for over fifty years.

In 1903, Fowler founded the Bristol Eisteddfod and it continued under his direction without a break even during the two world wars. In 1932, it was suggested that Fowler be given the Freedom of the City for his services to the arts and to Bristol.

In 1934, he was the Honorary Representative in Bristol for the Royal Academy of Music and the Associated Board of the Royal Schools of Music (ABRSM). He was the honorary local secretary of the Incorporated Society of Musicians (ISM).

William later retired to Portishead where he died at the age of 82.

THE BESS FOWLER TROPHY

  

Madeline Bess Fowler, the wife of William Fowler, died in 1932. The following year, the Bess Fowler Trophy was specially commissioned for the Bristol Festival by the William Fowler, in memory of his wife who died at a relatively young age. She had been the Festival’s secretary for many years and had done so much behind the scenes.

The Bess Fowler Trophy is engraved Ars Longa, Vita Brevis or ‘Art is Long, Life is Short’. It is awarded to the competitor reaching the highest standard in the festival. The Festival Sections take it in turns to award the trophy every year – awarding it to the most aspiring performer and not necessarily the winner of any class from that Section. The trophy is presented at the Celebration Concert at which the recipient is expected to perform.


1996   Recorder –  ?
1997   Speech & Drama – Alex Lee / Jean Dolphin
1998   ?Vocal – Andrea Marten
1999   ?Piano – ?
2000   ?Harp – ?

2001   ?Instrumental – ?
2002   Speech & Drama – Jean Dolphin / Susan Morgan ? 
2003   Vocal – John Qualtrough
2004   Piano – Max Whittaker
2005   Harp – Benjamin Creighton-Griffiths
2006   Recorder – Amanda Waley
2007   Instrumental – James Black (saxophone)
2008   Speech & Drama – Margaret Williams
2009   Vocal – Coral Gould
2010   Piano – Lucy Barrett

2011   Organ – Benedict ?
2012   Harp – Diana Shroff
2013   Instrumental – ?
2014   Speech & Drama – Molly Drake
2015   Vocal – Emma Pelkiewiz
2016   Piano – Clara Sherratt
2017   Harp – Jess Hughes
2018   Organ – Robin Pillinger
2019   Instrumental – Flora Clapham (violin) 
2020   (Covid)

2021   (Covid)
2022   Speech & Drama – Emma Paine  
2023   Vocal – ?
2024   Organ – ?
2025   Speech & Drama – ?
2026   Piano – ?
2027   Instrumental
2028   Vocal
2029   Choir & Vocal Ensembles
2030   Harp
2031   Organ 
2032   Piano
2033   Speech & Drama
2034   Vocal

2035   Choir & Vocal Ensembles
2036   Harp
2037   Instrumental
2038   Organ
2039   Piano
2040   Speech & Drama
2041   Vocal

2042   Choir & Vocal Ensembles
2043   Harp
2044   Instrumental
2045   Organ
2046   Piano
2047   Speech & Drama
2048   Vocal